Xenoverse – The Fall: Part I

a1427198727_10Progressive rock/metal “newcomer” Xenoverse seems to have been in the cusp of releasing their debut album since 2015. After a lot of polishing, a few gigs and apparently nearly finishing a 2nd full-length too, their debut The Fall: Part I has finally been released. Xenoverse is full of seasoned musicians but it’s clearly the brainchild of the vocalist/keyboardist Arttu Juntunen.

The music tiptoes on the edge of progressive rock and progressive metal, there’s plenty of virtuosity in instrumentation but also catchiness in choruses. The keyboards play a major role in the compositions, but guitars and drums are both well mixed too. Refreshingly bass also peeks out from behind the guitar riffs and is used as a driving instrument. Behind Enemy Lines is a good example of a track where the bass is constantly present.

There’s not much heavy guitar walls to be found but dynamic interplay between the instruments. The album sounds to be done with live performances in mind, for example the guitar solo of Behind Enemy Lines has no backing guitar, just the bass beating about. This reflects their live setup with just one guitarist. It actually works very well and doesn’t sound gutless, but groovy.

The Torturer is nearly death metal with industrial in keyboards, very far from the other tracks. The “hit” track that is also arguably the best, One Can Rule The Sky, is from the other edge of the pallette; a rocker and a melodic extravaganza! It does not feel like a 7 minute track at all. Disintegration is among the heaviest tracks with lovely hypnotic repetition and space rock whirrs and buzzes after a solid progressive rock beginning.

The album could probably do without The Torturer even though I enjoy the Scorngrain-like industrial keyboards. The mellow finisher Aria’s Premonition is quite boring especially as the album has a lot of mellowness. Perhaps the concept of the album cannot do without it. There’s no denying that the mellow tracks Solitary Confinement and Is This The End are solid, and when the distortion guitars kick in after 4 minutes of Solitary Confinement it sounds frigging fresh. How about the majestic symphonic elements then? Violins, Trombone, Cello, French horn, Viola, Majestic keyboard pad sounds; I admit, I’m a sucker for most things epic.

All in all The Fall: Part I is a complete solid progressive rock/metal album with fine attention to detail. A very impressive debut.

8/10

I also did a live review of their gig a few years ago.

Buy & listen to the album in bandcamp:
https://xenoverse.bandcamp.com/

 

Genghis Tron – Board up the House – Music quickies

R-1242139-1500594095-7229.jpegThe lost bastard brother of The Dillinger Escape Plan slowly created a unique style and broke up after their definitive album Board Up The House in 2008. Genghis Tron mixes mathcore with hardcore and grindcore but with a surprising twist electronic / industrial elements too.

Expect frenzied boosts of speed followed by ambient, sonic mid-paced sections, twisted leads, riff-jams, then an atonal keyboard melody, groove-metal… Just come with an open mind and expect all things in metal, pop, rock and electronic canons. That’s how diverse Genghis Tron is and boy do they make it work. Vocals are mostly very aggressive growled/shouted hardcore vocals, paired with sky-soaring cleans.

9-/10

High Points: City on a Hill, Colony Collapse.

https://genghistron.bandcamp.com/

Summoning – With Doom We Come – Music quickies

R-11361677-1515085236-7610.jpegSummoning has drawn Lord of the Rings influences since the early 90s and does it without resorting to annoying cliches. Sure, the music is pompous, repetitive and doomy but in the right way. If one didn’t happen to know their themes come from Lord of the Rings, it couldn’t be guessed.

As they’ve been really deep in the mythos for a long time, there’s no artificial Merri and Pippin or Aragorn bullshit. But there is a feeling of vastness, glorious mountains and adventure. The slight casionism’s in keyboard sounds can propel some people away but to my delicate casio-ear it is not bad. I guess it helps that the compositions are really strong, unique and epic metal tracks. Monumental, one could say.

Tar-Calion draws middle-eastern influence, showing that they should continue to experiment with melodies. Carcharoth‘s main riff is pretty much the riff of the year. Night Fell Behind sports an extremely atmospheric piano melody with a great riff in a composition that keeps developing and adding new melodic layers. All of these three are in my top 2018 tracks. Silvertine and With Doom I Come are both also really easy to label as very good. That doesn’t leave much to not like in the album. One of the best albums of the year for sure.

9/10

Best music just now – Music quickies

Best music just now, Aether Realm (melodic death metal), Iglooghost (some crazy wonky electronic artist), Carpenter Brut (synthwave/retrowave), Radien (sludge metal) & Saimaa (Finnish progressive poprock for sportsmen).

Æther Realm – Tarot (2017)

a4166387068_10-500x500My face when I was listening to a random rather praised American metal band that turns out sounding a lot like a mixture of Wintersun, Insomnium, Ensiferum and Kalmah. And they do this Finnish melodeath thing supremely fucking well. Every other year I lose my hope on ever finding really good melodeath anymore, then I am proven wrong…

The Fool is probably their most original and best track, but by no means the only great track in the album. Full review of the album has also been released in Like Music To Your Ears.


Iglooghost – Neō Wax Bloom (2017)

669158533299_T35318255470054If you don’t like bright complex electronic music, you might still dig this crazy Irish guy. Must be a love it or hate it artist. As a very raw definition one could say Iglooghost combines IDM, trip-hop / wonky, breakcore, dubstep and bright and fucked up vocal sounds. It has also been called a maximalist album which fits really well as there’s a shit ton of stuff happening.

Once more I didn’t know music like this could exist and be so goddamn logical and mind-boggling at the same time.

I am almost ashmed on how much I dig Neo Wax Bloom, the album does not wear out with tens of listens. Bug Thief is the best electronic track of 2017, hands down. The background story is also worth a mention: “It’s a story about a void named “Mamu” and its destruction by two falling eyeballs. “… OK OK.


Radien – Maa (2016)

Radien-maaFinnish sludgepulverizing. Very hypnotic, mostly based on gigantic riffs, but Radien also flourishes in good spareful use of melodies. Even if you don’t speak Finnish, this is a supreme release. Also free to download from bandcamp!

 

 


Carpenter Brut – Leather Teeth (2018)

R-11608612-1519344046-6788.jpegI am not as taken aback with Leather Teeth, as I’d like to. I expected it to be a full time heavy as shit electronic retrowave joyblast like Trilogy but… It is good but the ridiculously strong melodic themes are not as apparent as on Trilogy. On some tracks like the title track everything sticks together like it should. Bringing in two great vocalists in Ulver’s Kristoffer Rygg and Beastmilk/Grave Pleasures Mat McNerney also helps the case.


Saimaa – Urheilu-Suomi (2018)

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Finnish progressive poprock with full-on sports theme. A lot of 70s/80s resembling instrumental material infused with nostalgic clips from the past, and spoken word sections that somehow remind of electronic occult band Tähtiportti. The totality sums as a really competitive album. It is really not just a classic rock album, but nearly a big-band album too. There’s an array of wind and bowed string instruments and synths. I don’t think a mixture like this has ever been made.

There’s a lot of humour like the over of the top hero story Kuningas (footballer Jari Litmanen). 99 % of the album is really far from normal depressive Aki Kaurismäki like Finnish music tones. Yet out of the blue Saimaa crafts a supremely touching track in Suo Porkka ja Suksi. It tells the tragic story of cross-country skier Mika Myllylä like a Kalevala poem. If you want just instrumental goodness, I recommend the crazy bass leads of Pikataipale.

Even the first part of the double album is too long (77 minutes), hence I made a better 41 minute version of it to a Spotify playlist under this paragraph. You are welcome Saimaa, next time maybe hire me ;)?


Bandcamps:

https://aether-realm.bandcamp.com/album/tarot-2
https://iglooghost.bandcamp.com/album/ne-wax-bloom
https://carpenterbrut.bandcamp.com/album/leather-teeth
https://radien.bandcamp.com/album/maa

Best albums and tracks of 2017

The best albums of 2017 contains 60 albums that I listened enough to warrant them a place in this list. Scroll further down for the best tracks as a Spotify playlist and a few pickups that I missed in 2016. Hyperlinks lead to reviews.


Best albums of 2017

Near perfect (9+)

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Loss — Horizonless – funeral doom / deathdoom – Horizonless by Loss is a giant of a funeral doom album. It portrays a wide dispersal of moods, shifting between beautiful, crushing and ominous. The instrumentation and sounds are all top level, even the bass guitar comes to the fore time to time.
     Horizonless seeped among the best albums of 2017 slowly. I dare to say this is my favourite doom release from the US since Morgion’s criminally underknown Cloaked by Ages, Crowned in Earth (2004).


Excellent (9)

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Nyss — Princesse Terre (Three Studies of Silence and Death) – atmospheric black metal – Fantastic atmosphere, riffs and use of effective repetition. Climaxes, build-ups, some melodies, backing ambience. Absolute top tier atmospheric and hypnotic black metal.


Very good (9-)

Grave Pleasures — Motherblood – death rock / post-punk – Everything that Beastmilk, who later renamed themselves to Grave Pleasures did right in the first album Climax (2013) also comes in place on Motherblood. The blasphemous lyrics, deathrock and catchy pop hooks groove together elegantly again.
     The album retains a strong base level through it’s length. Tracks like Joy Through Death dance between two worlds masterfully. It could be an eulogy or as well just a piece of dark humorous obscenity!

Hebosagil — Fortuna / Auta – noise rock / post-metal / hardcore punk – Bursting with melodies and aggression. I don’t think they’ve ever before had this many pop hooks. On the other hand, the 2nd track Auta still flirts with drone and noise rock with violently paranoid lyrics…


Good+ (8½)

Septicflesh — Codex Omega – symphonic death metal

Woe — Hope Attrition – atmospheric black metal – biggest grower of the year.

Oranssi Pazuzu — Kevät / Värimyrsky Psychedelic black metal / stoner doom – Pazuzu re-released their split with Candy Cane with the name Farmakologinen, it’s a 9+/10 album but also released a brand new great single. Värimyrsky is a welcome nod back to their old days.

Slægt — Domus Mysterium – black metal / heavy metal – I really liked the 2015 EP Beautiful and Damned so it’s really welcome to see they are as good a full-length band!

Wintersun  — The Forest Seasons – symphonic metal /progressive metal / melodic metal – Wintersun’s The Forest Seasons might be the album that has split most opinions in 2017. It currently stands at 56 % in Metal Archives which cannot be based on music alone. For the musics in this music album are mostly solid as heck.
     First three tracks (clocking over 40 minutes) are packed with memorable melodies, good songwriting and fine sounding symphonics. Wintersun is not a one trick pony solely based on power metal and melodeath. The album has a few aces up its sleeve. For example, most melodeath bands might not try their skills in black metal or melancholic doom.

Heptaedium — How Long Shall I Suffer Here? – electronic metal / breakcore / nintendocore / progressive metal

Glanko — OsmosiSci-fi IDM – Dark toned themes with sci-fi elements. Glanko has matured and found great melody lines to accompany beats more diverse than ever. Perfect music for reading sci-fi like Dan Simmonds Hyperion quartet! You can add / remove half a point depending if you are reading sci-fi or not!

Sun of The Sleepless — To The Elements – atmospheric black metal


Good+ (8+)

Vallenfyre — Fear Those Who Fear Him – oldschool death metal with connections to Paradise Lost, My Dying Bride and Abhorrence. Not surprisingly, the best moments on Fear Those Who Fear Him are the slower doomier bits. The sound of the album is quite perfect for this kind of music altogether. Really powerful, far from crystal clear, yet not muddy at all. Piercing, rumbling and ferocious.

The Moth Gatherer — The Comfortable Low – post-metal / post-rock

Wear Your Wounds — WYW – slowcore / post-rock / shoegaze – side-project of Converge’s Jacob Bannon. The highs are really high if you’ve always digged the slower tracks of Converge. WYW strips down almost all heavy guitars and is quite a melancholic slowcore / post-rock / shoegaze album. Unsurprisingly the heaviest moments rank among the best.
There’s over 20 minutes of boring material in the midst of 63 minutes so I’m ranking it more for the good points than for the bad. Just skipping the last two tracks already makes it great. Still difficult to get into. 

Ayreon — The Source (album 1) – progressive rock / musical

AlNamrood — Enkar – Middle Eastern blackened deaththrash – one of the biggest growers of the year, initially I did not even like Enkar it as it does not repeat the mystic and even majestic atmospheric tricks of their 2015 album Diaji Al Joor. Enkar is quite a punk album compared to Diaji but after over 10 listens the Middle Eastern instrumentation, nuances and straightforward fierce song-writing started to really feel like a tight package.


Good (8ish)

Over the Voids… — Over The Voids – black metal

James Elkington — Wintres Womasinger-songwriter / acoustic / folk – At best Elkington channels Nick Drake’s gentle guitar virtuosity. Fortunately he is not a one-trick pony but I admit I’m a sucker for the more complicated pickings.

Ulver — The Assassination of Julius Caesar – avant-garde synthpop / experimental

Converge — The Dusk In Us – metalcore / hardcore / post-hardcore

WÖYH! — KRTKRTK – progressive rock / children’s music for adults

Janne Westerlund — There’s a Passage singer-songwriter / folk / acoustic / experimental

Au-Dessus — End of Chapter – atmospheric black metal / post-metal

The Faceless — In Becoming a Ghost – progressive death metal – Half really good (Digging The Grave, The Spiraling Void, Shake The Disease, I Am, half of Black Star), the rest is filler. Extra points from how the melodramatic intro sets up Digging the Grave. The jumpiest album start since Ghost of Perdition by Opeth!

Pryapisme — Diabolicus Felinae Pandemonium – Avant-garde metal / experimental metal


8-

Ochre — Beyond The Outer Loop – idm / downtempo / ambient

Troldhaugen — Idio+syncrasies – avant-garde metal / humour metal – Half funny, half annoying, half great. This is a true love it or hate it album, yet I am inbetween because the compositions are mostly great but vocals oft times annoyingly over freaky. The metalcore / crabcore influences aren’t that much of my liking either, some of the avant-garde elements are outrageously good and only a few outrageously annoying (the rap part of It’s Morphine Time, yet the chorus is a hilarious stadium rock sing-a-long). The album has hints of Crotchduster-like greatness. Bullseye track has the best track title of the year: I Ordered A Taxi Driver Not A Taxidermy.

Riitaoja — Täytettyjä lintuja – experimental indie rock / art rock / folk

Wvrm — Can You Hear The Wind Howl – grindcore / death metal – 10 minutes is just the right length for this kind of furious album. 6 tracks with a 3 minute doomy headbanger in the midst. Epic track length in their standards.

King Gizzard & The Lizard Wizard — Flying Microtonal Banana – garage rock / psychedelic rock

King Gizzard & The Lizard Wizard — Gumboot Soup – garage rock / psychedelic rock – The rest of the 5 (!!!!!) albums they released this year I did not check properly yet. Quick check on Polygondwanaland sounds like another real quality effort. It’s concept would also be worth a mention. Here’s a great Youtube video sumup of their 5 album plan. King Gizzard is probably the most innovative rock band at the moment. Maybe one of the albums will match their 2016 album Nonagon Infinity.

Hanging Garden — I Am Become – atmospheric rock / doom metal – Blackout Whiteout was one of the biggest surprises of 2015, the first tastes of I am Become were great, yet it did not have the growth of the last album. The best bits Kouta and Our Dark Design are top class and the album does not really have bad sections either.

Lantern — II: Morphosis – new wave of Finnish oldschool dark death metal in the vein of Demigod and Convulse


Kardinaalit — Primus Culpa experimental / rock / humour – Primus Culpa demo should be annoying but mostly it is actually funny. These guys also have some high class material in their soundcloud (also a lot of junk), eagerly awaiting if they piece their shit together out of humour terrains and develop their stronger tracks. At least 3-4 are already fully ready and would be a backbone of a very strong release

Enslaved — E – progressive metal / viking metal / black metal – possible grower

Eneferens — In The Hours Beneath – atmospheric rock / atmospheric black metal

Wolves in the Throne Room — Thrice Woven – atmospheric black metal

Fen — Winter – atmospheric black metal – possible grower

Vulture Industries — Stranger Times – progressive metal / avant-garde metal – The first three tracks of the album are really fucking good which is why it’s such a shame that the rest of the album is strangely mediocre to almost useless. Three other tracks do stand out a bit. Something Vile’s last half is driven by good lead guitars and heavy drum pounding, matching the beginning. Midnight Draws Near and Screaming Reflections do have great vocals and good dynamic going on but constantly slow paced pretty good compositions fail to resonate much after the beginning of the album does everything a few notches better.

Pillorian Obsidian Arc – atmospheric black metal


7+

Ne Obliviscaris — Urn – progressive metal

KANASHIMI — INORI depressive black metal / funeral doom / japanese pop influences – yes you read right, Scar of the heart is a bullseye of a track, a nicely unique dsbm sound. Then the one man project repeats it nearly all album long… Classic one man band problem really.

Havukruunu — Kelle surut soi – pagan black metal – hello Moonsorrow, these guys are pretty good in their own right too. Bullseye track: Kelle Surut Soi.

Inferno Requiem — Nüwa 女媧 – oldschool black metal / atmospheric black metal

Igorrr — Savage Sinusoid – avant-garde metal / breakcore / electronic

Skyclad — Forward Into The Past – folk metal / heavy metal – metal-observer’s review seemed to sum most of my thoughts. I just have to add the best track “Change Is Coming” is at part with almost any of their tracks and “State of The Union Now” a fresh reminder of their thrash past. Judging by the 2015 album Atom by Atom, Steve Ramsay might just leave his best tracks for his other project, Satan.

Myrkur — Maredit – black metal / indie rock / dream pop – fantastic beginning then the mediocre but well sung indie / dream pop elements come to the surface. Most of the metallish tracks are slow, doomy and boring. The blastbeating chaotic atmosphere appears too scarcely. Luckily there’s Gladiatrix.


Okay (7ish)

Falls of Rauros — Vigilance Perennial – atmospheric black metal

Planeetta 9 — Koivut – Finnish metal / rock / doom

Falaise — My Endless Immensityblackgaze

Akercocke — Renaissance In Extremis – avant-garde metal / black metal – Possible grower, ~8 listens doesn’t seem to be enough

Alfahanne — Det Nya Svarta – post-punk / death rock – One track miracle Satans Verser, probably the best rock track of the year, there’s a good mellow post-punk atmosphere but Avgrundsgravitation and Det Nya Svarta are the only tracks that completely succeed in tension. Mitt mörkär är mörkäre än ditt is weirdly catchy, I can’t quite put my hand on it, if i like it or don’t. Same catchiness goes for Även an Hund Har Sin Dag. For a while I thought the album is great until it crashed down to mediocre. I admit I might like it more if I bothered to understand more of the lyrics.

Ayreon — The Source (album 2) – progressive rock / musical

Paradise Lost — Medusa – doom metal / death doom


Okay- (6½) aka class c black metal

Fleurety — The White Death – One track miracle The Ballad of The Copernicus, few ok tracks besides it (White Death, Future Day). Special credit to the worst riff of the year in the peculiarly, chosen single track Lament of the Optimist.

Ajattara — Lupaus – black metal – One track miracle Saatanan Sinetti, few good tracks besides it (Sinä, last half of Lupaus). Most lyrics a bit stupid: Pimeä, pimeä, kuolema, kuolema blah blah blah.. Special credit to stupidest choruses of the year in Ristinkirot and Machete. Too bad as Machete is musically quite a great headbanger.

Charnel Winds — Verschränkung – Avant-garde metal / black metal

Asagraum — Potestas Magicum Diaboli – black metal


Best tracks of 2017

Best tracks arranged to a playlist in quite random order. Playlist in text-pdf format + a few tracks that aren’t in Spotify: Best_tracks_of_2017


Bubbling under

Brilliant tracks just below the first category. Except on a good day…


2016 reprise

Bunch of interesting 2016 releases found too late

9ish

Downfall of Gaia — Atrophy – atmospheric black metal / post black metal

W. Iivarinen — Melankolia – Finnish metal / rock

8ish

Blood Incantation — Starspawn – Progressive atmospheric death metal
Jpefmafia — Black Ben Carson
– underground hiphop / experimental rap / trap
Cantique Lepreaux — Cendres Célestes
 – atmospheric black metal
Ultha — Converging Sins – atmospheric black metal / post-black metal
明日の叙景(Asunojokei) — 過誤の鳥 (A Bird in the Fault) – post-black metal/post-hardcore

7 to 8-

Khid — Ohi – experimental rap / trap
Baptism
— V: The Devil’s Fire – black metal
Jpefmafia — The 2nd Amendment
– underground hiphop / experimental rap / trap
Saor — Guardians
– atmospheric folk / black metal
Radiopuhelimet — Saastan Kaipuu
– melurock / finnish rock
Giraffe Tongue Orchestra — Broken Lines
– alternative metal / alternative rock