Downfall of Nur is a one man black metal project headed by Antonio Sanna. He is originally from Sardinia, Italy but moved to Argentina at 11 years of age. Umbras de Barbagia was released in 2015 with Antonio being just 19 years of age. It is incredible how a 19 year old Argentinian musician could make an atmospheric black metal album so mature this early in his career.
Actually Umbras de Barbagia is not strictly a one man black metal album as vocals were made by another Argentinian metal musician Dany Tee (In Element, Aether, Seelenmord), who also played a big part in production.
The killer track is placed right in the beginning, Golden Age starts with magnificent melancholic instrumentation containing acoustic guitar, woodwind instrument and soon, bagpipe!? In fact these non-metal instruments are not just any instruments, but traditional Sardinian instruments Launeddas and Quenacho flute. Both are woodwind instruments and Launeddas has a similar sound to bagpipe. It consists of three pipes where one serves as a drone and two others function with the melody.
With a whopping 17 minute length Golden Age takes a while to develop into metal terrains but does it with a bang. Oldschool blastbeating with depressive black metal screeching. For a young artist like Downfall of Nur it is astonishing how well the album is balanced. Both metal and calmer parts have a lot of dynamic and the quality of a recording is really high.
The tracks vary stylishly between black metal, melodic and folk bits however there’s a lot of repetition which sometimes works as a disadvantage. All main tracks are over, or nearly 10 minutes long. Long songs work well in developing atmosphere but every track becomes a tad boring at some point. Most notably the 2 minute outro of Ashes leading to 2 minute intro of the title track where in neither almost nothing happens.
The bread and butter of the album is solid as heck though. From the magnificent interlude of Ashes to brilliant finales of Golden Number and Downfall of Nur which all encompass Launeddas and Quenacho brilliantly. Downfall of Nur travels somewhere near the grounds of Agalloch and Ghost Bath, but has significantly more airy melancholic folk passages. They’ve also picked elements from oldschool black metal with funeral doom seasoning. Atmospheric black metal is such a wide genre that these elements are not anything abnormal but the way they’ve been meshed together makes Umbras de Barbagia an enticingly abnormal effort.