Symphonic Metal

Sad Legend – Searching For The Hope in Utter Darkness – South Korea

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Cursive white basic font is one of the few stylistic follies in a mostly fine release

The self-titled debut of Korean Sad Legend (1998) had a lot of melodic black metal trails, but already on their second official release, EP Searching For The Hope in Utter Darkness (2002), Sad Legend stripped almost all the black metal off. Instead the EP brought in more melancholy

The title track that starts the EP is a particularly somber piece. The memorable and mournful lead melody with double bass thundering reminds of their black metal roots. The track also features some screeching vocals underneath until the band shifts to an atmospheric slow section. It is quite typical for them really and has some gothic metal / symphonic rock in it with grandiose clean vocals and growling doubling. Naamah’s voice is not as versatile as on their final full-length The Revenge of Soul (2009, that I also reviewed earlier last month) but he does the vocals with great esteem.

I am not quite sure who made the final decision to include female vocals on the title track because they are quite horribly out of tune. The folk/power metal flirting that they proceeded to do a lot more on their final LP is also present here, with an awful casio keyboard interlude. On The Revenge of Soul such misses would be completely gone, Sad Legend really learned from their mistakes. Luckily Searching For The Hope In Utter Darkness does end with some nice progressive bits leading to the brilliant lead melody.

It brings a pleasantly expectant tone as the second track starts. And boy is Sigh on the Billow something to behold. The cliche waves crashing on the shore and gentle guitar with magical clean vocals is a wonderful sigh(t) to listen to. I’ve never been a big fan of power ballads but Sigh on the Billow is a rare breed. The female vocals also work here. Or is it actually Naamah singing with a ridiculously high-pitched voice? Knowing the vocal capabilities that Naamah showed on the next album this would not surprise me.

The track ends into another overreaction with merry folk metal keyboard alteration of the main theme. Perhaps I am too unforgiving but after a few listens I grew to dig this variation, even though at first listen I sighed audibly enough to wake my neighbours.

Third track An Echo of Bizzare Screams might be the shortest and also the least memorable but the march style on which the drums are played with is particularly refreshing. It is a compact but a rather sweet track.

I might label the closest genre to Searching For The Hope In Utter Darkness Gothic metal but it does not have the melodramatic vocals gothic bands usually go for. Instead you have strong varied vocals and compositions which have a lot of symphonic metal elements and a distant trail of black and power metal with a good amount Korean mystique!

8½/10

Also check the review of their final 2009 release here: https://likemusictoyourears.com/2017/04/15/sad-legend-the-revenge-of-soul/

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Sad Legend – The Revenge of Soul – South Korea

248819Sad Legend’s final album The Revenge of Soul from 2009 is quite a triumph. It features ridiculously atmospheric sections and vocals to die for! Naamah who composed all the tracks has a skill to slow down and bring cinematic pinnacles in sections where you would not expect them.

It is indeed a Sad Legend that the main man Naamah seems to have broken up the band and has not released anything since The Revenge of Soul (according to Discogs and Metal-archives).

The best part of the album is the thick atmosphere and the vocals. And oh the vocals! The variety of vocal styles is spectacular. Great clean vocals, regular, orchestral and also high-pitched falsetto. The black metallish rasp is something I really enjoy. At best it is also tastefully doubled. I loved the sound of Korean on their EP Searching For The Hope In Utter Darkness (2002, review upcoming!) but in in The Revenge Of Soul the articulation is even better.

But there’s more! The verse vocals on Executioner sound to be recorded with a crappy mic, the singing style is very raspy, a bit hardcore punkish really. On first listen the scratching of the mic got on my nerves. However the raspy sound soon transformed into really enjoyable and for an noisehead the scratches actually add to the elements. Below the raspy there’s also some angelic clean vocal doubling.

It’s unbelievable how Naamah, better known as a drummer is actually the sole recipient of all this! And every damn instrument as well! Seriously, who is this guy! I noted there’s some female vocals that are unmarked in discogs, so perhaps it is not the only unmarked thing? Who knows.

If Sad Legend were melodic black metal at one point The Revenge of Soul is gothic metal and power metal and also quite symphonic. Black metal is only present in the raspy growled vocal style.115942_artist

Axe, and Executioner are especially solid compositions. The variety between heavy, angelic, fast and punky parts of Executioner is surprising. Sad Legend has a lot of power metal trails and Maruta is mostly from those roots. It’s middle part is one of the key moments of the album with extremely graceful chanting.

Elegy of Slaughter Echoing In The East is at par with Maruta but lacks the big pinnacle. At least it combines four more frigging vocal styles (spoken word, grudge movie like, dramatic symphonic chanting, falsetto)!

The ending trinity is unfortunately not as strong as the first four. Imjin War (power ballad with some female vocals) and The Reaper’s Song (another different clean vocal sound) feature some catchy repeating vocal-phrases which aren’t my thing really. But it’s pretty entertaining to catch oneself trying to sing-along to Korean. The last track Night of the Hunt has the strongest, a bit folkish, cinematic sense to it. A nearly galloping rhythm is followed by a long acoustic interlude, some progressive section switching until the beginning rhythmics kick in again.

I can imagine the album separates people, some people are bound like the more catchy song-writing of the end-album, but I prefer the grandiose beginning.

The masterful vocal performances and thick atmosphere turn the album to an extremely positive release. There’s a sense of uniqueness in it that will make it a regular visitor on my playlists.

Searching For The Hope In Utter Darkness is musically probably a better release, but The Revenge of Soul is at par to it because of its more consistent dynamics, atmosphere that stays intact and better vocals.

8+/10

Also check my review of their great 2002 EP: https://likemusictoyourears.com/2017/05/01/sad-legend-searching-for-the-hope-in-utter-darkness/

Sad Legend does not seem to have any real presence in the internet, hence I cannot link their site!

For further reading, a rather good in-depth article about the 2nd track, Maruta: http://www.kpopstarz.com/articles/107097/20140904/sad-legend-maruta.htm

Causemos – Infinite Event

How about a music quiz folks? Which band am I talking about:

The October of 2012 finally saw the comeback release of this Finnish epic melodic metal band. Their last release was dated at 2006, after setbacks and various other trouble they finally managed to get their new release out. And boy was it a blast. 

No I’m not talking about Wintersun, the band in question is Causemos. A melodic death metal band with plenty of bombastic a cosmic vibe. After waiting over half-decade for Wintersun to fill my melodic metal needs it was Causemos with their EP Infinite Event who did it, leaving the untimely epic of Wintersun drifting in space.

Infinite Event sees Causemos abandoning the Bal-Sagothisms that were visible on their early material and finding an own symphonic and technical sound. One the most surprising releases of 2012 packing fresh aggression, epic tunes, crunchy riffs and surprising technical mastery in a compact EP.

After the jaw-dropper beginning of Unrealized Reality 1|2, Infinite Event gallops on satisfyingly but lacks the utmost hookedelia and melodic-ecstasy that would take it to real masterclass. Until the fifth track Invariable blasts a top-notch melody and a memorable riff and keeps the intensity on the whole track. Fantastic. The catchiness of Herald and the wonderfully feisty and humorous Käteen escort the EP to a fine end. 24 minute length serves Infinite Event extremely well, very often I find myself tuning it right back in listening it twice in a row.

8½/10

Free download (pay what you want): http://causemos.bandcamp.com/

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