IDM

Lauren Bousfield – Fire Songs – Music Quickies of sorts

a4189338573_10Nero’s Day At Disneyland’s breakcore/gamemusic mesh developed into more artistic and feminine, even electronic indie-pop flirting Lauren Bousfield. BUT the 2017 EP Fire Songs takes a step back towards Nero’s sprained breakcore instrumental music, the electronic indie-pop is largely gone. Is IDM (intelligent dance music) the correct term? What a douche genre name that is by the way. 19 minutes long Fire Songs EP seems like easily the best Lauren Bousfield release. It is a quick starter too, I was really digging it immediately on the first listen. There’s way too little love for EP’s in the world…

Little Half Dead Fire Exits Hi and Piles of Black Dresses… are A-fucking class melody spectaculars with heaviness on beats too. Little Half Dead Fire Exists Hi is almost a melancholic piece, remember the time you got badly burned and were forced to crowdfund your medical bill? Those were the days…

No One3 and CirlGocks (with Omiinindustries, collaboration?) are a step into more atmospheric electro. Girlcocks, i mean Cirlgocks, even does rave beats. The beginning of the album is a strange deja vu “I know this melody from somewhere on her releases, is it a remix?”. Creative continuity of sorts, I dig that. It’s kinda fresh to hear familiar parts in a new context after a long pause from Lauren Bousfield’s music. Here I am on the 4th listen of Fire Songs, 3rd in a row and the album developed into really fucking good. The glitching is gradually getting more pronounced on Lauren’s releases, there’s really a lot of that and it works wonderfully.

Personal crisis often makes musicians give the best out of themselves and it seems this fire certainly did that with Lauren Bousfield. Can we get more good musicians burnt up a bit? Anyone? Please? I’ll pay for the gas.

Best of all, Fire Songs is on Fire Sales! The release is pay what you want in bandcamp! Free download if you so wish:
https://laurenbousfieldanyev3r.bandcamp.com/album/fire-songs

Glanko – Telekommand EP // NMMREM XIX

Glanko, classified as IDM (short for intelligent dance music) did not gain my interest with the genre title. I very rarely enjoy dance music. With the track 9003 (/w mote) on my Facebook wall by Pollux I thought I need to give it a listen. Boy was I surprised; 9003 sounds like it is from a movie, assessing melancholic violins and orchestrations in a mellow ambient and rather organic atmosphere. A thrilling neoclassical track, but nothing like the rest of the album.

Purely electronics driven; first half of constantly glitching; wonderously mystical Maikurofomu CC walks a tightrope and slips off balance only to regain it with a somersault.

Second track Telekommand A has probably the best hook of the album, with the bass line at 2.50, peaking already at 2.55 to the sudden glitching bassdrop. Many times have I found myself humming this bassline, along with the bassdrop after listening this EP. It is a shame, in reality the best hook of the album, is never repeated. But the strong bassline stays there for quite a while and mildly changes form constantly. As if there is one thing that Glanko’s Telekommand lacks it is memorable melodies and hooks. Telekommand is a very enticing entity but it doesn’t have jaw-droppers except a few individual moments and the fourth track, 9003 (w/ Mote). When 9003 (w/ Mote) is pure 10/10 material the rest of the album fades into 8/10 territory.

It doesn’t mean it is not a strong very original entity with a high base level. The mystical atmosphere stays intact; melodies and mixtures of sounds I’ve never heard anywhere else. There are a lot of stuff happening beyond the surface. Kudos to the artist for not overpeaking the tracks and allowing an extreme volumedose!

9-/10

Free Download: http://archive.org/details/siro570Glanko-TelekommandEp