Experimental electronic

Sea of Poppies – Sea of Poppies

a3018950448_10Sea of Poppies is best described as experimental harsh noise. The submission notes of the first album of Sea of Poppies explained that the artist had a hard time with health that led to experiments with some analogue stuff to let out some steam. A form of catharsis. The analogue experiments also make the release sounds oldschoolish, pleasantly non-digital.

Usually when a first-timer makes an experimental album, painting or a poem to help with the healing process it’s value is merely for the healing itself. It can be very effective as a sort of therapy but when a 50 year old truck driver picks up the brush first time since being in primary school and makes a cubist painting to battle his depression, the results are often a bit funny. But since it’s therapy you aren’t even allowed to laugh at it! Sad but true. I’ve found so many “I did this to recover from a problem x”-releases that are very unlikely to interest anyone in multiple art forms it’s not even funny. But hey, whatever works for ones recovery right. Luckily Sea of Poppies seems to have ambition beyond the healing process!

Even though the artist explained himself to be a new noise artist, his bandcamp lists Sea of Poppies as a sister project to Deprivation Chamber that released an ep in 2010. Maybe that explains the well-formed sound.

About the tracks

When the first track kicks in, I start to quickly yearn for tempo switches though. The constant jarring tempo may be cathartic to most harsh noise lovers, but I tend to find it tiresome. Luckily second track has a pleasant watery background that breaks the tempo artificially. A high whistling sound does get a tad annoying but it has a bit of build up during the process of the track.

0013635072_10Third track is the highlight of the release, clearly the most varied piece. The standard tempo has altercations that break it and at 1.30 the main theme is also changed completely. All this flows together and sounds natural, very nice! The next theme builds up and has more changes, but it takes till 8 minute before shit all the sudden gets really loose with analogue jerks. Few times one can even nod your head to rhythmic changes. Does 9.20 have a modulation hook? A modulation hook in noise? Hah!

All three tracks are named “untitled” so I took the liberty of renaming them stupidly to differentiate them for each other (and for the lols):

  1. Just another cathartic harsh noise track
  2. Watery electronics
  3. Nearly rhythmic modulations

End notes

In the submission text the artist also explained that he used different methods to make each track to have an own personality but also to learn something new. Gladly it is apparent; all three different tracks have a different identity and sound. I find the last track alone interesting enough to be eager to listen this release from time to time after this review is done. Good stuff!

Free download in bandcamp: https://seaofpoppies.bandcamp.com/album/sea-of-poppies (you can also buy the release as a cassette for a very affordable price).

Bloque del Sur, BVBEL, Kaschade, Samuel Bone, Fross – Small free download artists – Quick reviews

Bloque del Sur – Periferia

a0021724405_10Groovy easily accessible electro with samples and obscure voice clips. What would industrial be without voice clips! Periferia has both lighter and darker beats and melodies.

The artist describes Periferia as a fresh approach to EBM/industrial, taking elements from 1982-88 golden era and adding tropical bass influences. I’ll be the first to admit that the “golden era of industrial” and “tropical bass” are completely foreign to me. The band hails from Argentina which may explain the tropical but also why my girlfriend without knowing anything of the artist commented about the “weird latino music”! I honestly didn’t even hear the latino influence on Periferia!

Megaperiferia first appeared as a monotonous track but upon checking the video it started to actually benefit from the monotone atmosphere that welcomes new elements sparingly but interestingly. The starting Diagrama is refreshingly more polymorphous with all kinds of textures appearing in the first few minutes.

The subtle background melodies help a lot and affect spontaneous headnodding. Intercommunicador is refreshingly more exotic. I liked Bloque del Sur’s down-to-earth approach upon submitting the release and thus decided to share these few words.

In total an enjoyable small release which I’ve been listening the most of the 5 releases in this post.

Bandcamp:
https://pakapirecords.bandcamp.com/album/bloque-del-sur-periferia
Video of Megaperiferia
https://www.youtube.com/watch?v=-kZEyxEfsKI


BVBEL – PRDX2

Cover (1)Beats, the eternal problem. There’s great rap lyricists with lacking backgrounds, then there’s great backgrounds with lacking lyrics. Where does BVBEL come in then? He produces pretty damn stellar backgrounds, but unfortunately without any lyrics at all. Even though it sounds good there’s definitely the vocals missing.

For the most part the beats are pretty memorable. I see no reason why they wouldn’t be good enough for a rap release. The production values aren’t huge but there’s a nice glitchy atmosphere that makes up for the lack of booming. Some clever hooks like the 2nd track 不要 (English translation: Do Not). Most beats that I hear I end up liking a lot less than BVBEL’s. I could love this release with the right lyrical substance.

Free download: https://archive.org/details/siro792Bvbel-Prdx
BVBEL seems to be very productive as his bandcamp is filled with releases:
https://bvbeltrill.bandcamp.com/
On quick listen tracks like DV-useless show a lot of melodic potential: https://bvbeltrill.bandcamp.com/track/dv-useless


Kaschade – Performance

kaschade-entity-beHei, I heard you came looking for semi-improvised avant-garde saxophone electronic ambient noise, right? Grab Performance immediately! The rest of us, we might just want to take a peek now and then behind a safe distance. Listening 53 minutes in one go without finding other means of entertainment at the same time proved to be quite a task. Even with skipping the 8+ minute harsh noise closer, Golden Balls. But man, is the cover art beautiful!

I’ve had my chaotic noise phase but usually I dig structure. In semi improvised music there tends to be less of structure. But there’s plenty of sound to keep interest up in Kaschade’s Performance: cascades of whizzes, booms, knocks, scratches and most of all ambients. Usually there’s quite a steady beat or a coming and going melodic pattern or certain sound, so it’s not like there’s no structure. There’s definitely an underlying structural sense, but it’s in there deep. Also the organic saxophone adds plenty of value. It’s an interesting ride from psychological spacehorror to psychedelic intergalactic procession.

The spacey feel is ever so present; it feels there’s a vast blackness but it’s not overbearing. The tension is psychological, no sudden senseless loud sounds.

The description at the weblabel Entity’s site is very fitting: “Indeed Performance might well be the soundtrack to an imaginary film, perhaps in the style of film noir or a collection of surreal scenes, as experimental soundeffects produce a constant string of plottwists while spiraling through a wide range of lasting impressions.” If Alejandro Jodorowsky had ever finished his Dune film adaptation, the music could have been something similar to Kaschade’s Performance!

Bandcamp: https://kaschade.bandcamp.com/album/performance-2016
Direct zip download link: https://archive.org/compress/ntt084/formats=VBR%20MP3,JPEG,ARCHIVE%20BITTORRENT,METADATA
Entity Weblabel: http://www.entity.be/entity/


Samuel Bone – Fluctuous

A-SmallCoverFluctuous
marked as obsolete except in archaic usage.
a.
Watery (obs.).

b. Full of, or resembling waves, lit. and fig.

Urban dictionary:
Fluctuous
used to describe a nice ass.

Experimental electronic with solid rhythmic background. Beeps and twerks (not the butt-kind) keep appearing. Quite enjoyable really, some tracks are surprisingly quiet in the mix. Especially Hrathlemore really needs some volume finetuning by the listener to be enjoyable. Like water Fluctuous keeps spilling out of my hands listen after listen.

The release does bring watery substances in mind, first track Drool Cam starts with water burbling sounds.  The next track Chonie has the best melody with a keyboard sound that sounds to be coming from just below the water surface. Uhl is nicely relaxing when Kringle Kan Surplus is really a distorted affair nearing noise. Hrathlemore is quiet, so is the title track, Fluctuous but it is also less noisy, more rhythmic and nicely minimal electro. Quite pleasant really.

Free download: https://archive.org/details/siro793SamuelBone-Fluctous


Fross – Sombrio

a0453013625_10Fross, from Costa Rica brought some melodic dark ambient with misty woods and mountains to my e-mail box. In the start of his 2016 record Sombrio, there’s something that reminds me of Agalloch. Ilusión Distante also has a hint of low bitrate and minimal ambient in it’s gentle chords. Desolacion is still melancholy but as the album progresses further the last few tracks are quite oppressive.

In total Sombrio lacks depth though. There are some great somber passages like (Desvanecerse) En la Oscuridad. I can hear twinkling and gentle noises in the back that aren’t there but in my head they’d fit there so perfectly.

The use of organic instruments like violin and guitar is most welcome but it does not have much dramatic impact.

The first listen was surprisingly tense as I was waiting for the organic instruments to take the lead and on Petricor I was finally rewarded. The echoing guitar and background blooming sounds great but keeps minimal.

The tension keeps the listen interesting and mood surprisingly fluid. Dark ambient in its oppressive forms is not really my thing but luckily Sombrio is split into airy elements that work well as a gentle background.

Girlfriend’s comment on El Abismo: Submarines and death.

I picked Fross to review by random but also because I liked his approach, not demanding a review but asking if I happened to have the time!