Just some reviews

WHAT? NO THEME?!?

Vallenfyre – Fear Those Who Fear Him

vallenfyreforthosecdOldschool Death metal from Gregor Mackintosh (founding member of Paradise Lost), Hamish Hamilton Glencross (ex-My Dying Bride 2000-2014, Ex-Solstice) and Waltteri Väyrynen (Paradise Lost, Abhorrence & bunch of others).

Not surprisingly the slower doomier parts are the most memorable bits. And boy are they macabre enough! Vallenfyre has two sides really, the slow tracks and oldschool death metal, both are performed with a very crusty guitar sound.

The video track An Apathetic Grave hits the right notes instantly, with the catchy guitar leads on the chorus, joined by powerful raspy vocals far removed from the seeming apathy of the track title. The Merciless Tide took more time to fruition as the best track of the album with its slow, ominous guitar leads that weave throughout the whole track. How much more doom than this can you be:
In a second
The life I knew
Existed no more
The cold hands
I could no longer warm

Third doom track (11th on the record), Cursed From The Womb feels like the lyrical centerpiece. It took even more time to grow than The Merciless Tide with an undertone a notch more ominous too. The tempo is the slowest with plenty of air between the hits. Lovely use of repetition and heavy beat invites for serious…slow…headbanging.

The only killer death metal track of the album is Soldier of Christ. Juicy guitar leads keep popping up and finally lead to the outro which is probably the most striking individual moment of the album. Powerful articulation and slow riff create a macabre image:
Abused by the protectors
Baptised in the filth of mankind
Behind the glorious curtain
Maggots feast
On the blood divine

I admit it, I am too much of a sucker for Vallenfyre’s slow and methodical sound. Their 2014 album Splinters is very similar in really fine slow tracks (Bereft, Scabs, Splinters). On Splinters the band really found the lovely crunchy, crusty guitar sound that they utilise so well on Fear Those Who Fear Him. The sound of the album is quite perfect for this kind of music altogether. Really powerful, far from crystal clear, yet not muddy at all. Piercing, rumbling and ferocious.

Oldschool death metal usually bores me, but when you sprinkle killer doom tracks in the midst it is very tolerable indeed. Unfortunately I cannot say many of the tracks besides the mentioned rouse notable interest. Classical gig-starter Messiah and really fast and aggressive circle-pit / track Nihilist perhaps most so (simple enough for a good sing-along too “Nihilist, Nihilist, Nihilist – Nihilist, Nihilist, Nihilist”!).

It is such joy to behold how well the drummer W. Väyrynen adapts between slow and fast tracks. It is quite natural when you think of his previous history though. Vallenfyre has a fair bit of old Paradise Lost in the slow tracks and the faster ones do remind of Abhorrence (oldschool death) and Rytmihäiriö (thrash / death / hardcore punk).

Fear Those Who Fear Him is going to be found in many “best albums of 2017” lists. For people with more liking to oldschool death metal than me, you can easily add half a grade more.

8+/10

Advertisements

Alcest – Kodama

594384The songwriter / guitarist / vocalist of Alcest, Neige is undoubtedly some sort of genius. Alcest is the kind of music that I should hate or be completely bored of, but I’m not. At best I love them (and have a slight man-crush on Neige, but who Alcest fan doesn’t?). Alcest can evoke feels unlike any other band. Not in terms of largest scale, but different.

The preceding album Shelter‘s half-boring, half-ok post-rockpopfest felt dangerous like a picnic in kindergarten. It ended with a mighty and infusing 10 minute track Delivrance and the 2016 release Kodama also saves the best for last. The last minutes of Oiseaux de proie‘s blastbeating and ethereal melodies could go on forever. Just when I am hoping that it would explode like first album’s Les Iris into an even more supremely emotional melody (yet afraid that if it happens I might end up shedding some tears), it ends, unfortunately.

Even for a heartless music reviewer Neige’s French still sounds damn romantic. The fourth track Untouched is pretty but I can’t get over how hentai it sounds in this romantic Japanese context. It’s just wrong or I am a crooked-minded bastard. Probably both. I’m glad both of the skeleton hands are ON the surface of the water in the album cover.

Kodama is a fine album overall. Shelter went too deep to majorkeys out of the darkside and lingering melancholia of blackgaze. On Kodama, there’s more metal elements that distribute variety. Clever twists surprise just when things are on verge of going too cheesy (take the title tracks echoing surround acoustic guitars as an example). This interplay also makes the emotional parts more compelling. Surprisingly the track with the most growling vocals and blastbeating, Eclosion is also the most positive one.

Unlike Souvenirs d’un autre monde (1st album) and Shelter (4th album) Kodama delivers enough to be lockered with the truly successful entities Écailles de lune (2nd album) and Les voyages de l’âme (3rd album).

Les voyages de l’âme grew to be a fine album, but it took over a year, I expect Kodama may well keep getting better. Les voyages has many of the finest moments in Alcest discography which will keep it superior to Kodama, but neither can challenge the strongest base level of Écailles de lune. However, I am still waiting Alcest to combine these elements on a flawless display that the band has been hinting towards for over 10 years now.

7+/10 (with growth potential)