Electronic

Perturbator – New Model

R-10983619-1507653153-4272.jpegWhen others were just learning the synthwave genre, Perturbator had already mastered the trade in 2012. I came late to Perturbator/synthwave bandwagon, having only listened Carpenter Brut for years.

Perturbator’s 2017 34 minute EP New Model is a different sound than the norm, darker, more riff oriented approach. If one can say riffs about electronic music. Not surprisingly, the main man behind Perturbator, James Kent, has background in metal, having been a guitarist in multiple black metal bands before Perturbator era.

I’m a big fan of the dark dystopia atmosphere, it supports the themes a lot better than the regular hard-hitting fast and bright 80s synthwave sound that most artists are doing. Problem is, the compositions are slightly jarred. I mean, the sections don’t always flow as smoothly as they should. And when they do, there could be more content.

Take Tainted Empire as an example, it seems to be a collection of interval sections that pop up and then go away. You’d think the great melodic part from 2-3 minutes is the beef but then the last minutes are some mech-walking like slow and doomy droning. The sung single track Vantablack almost hits the mark, but in the end is a bit of a 8/10 sci-fi movie with a brilliant start. Enjoyable, but not as good as it could have been.

Corrupted By Design has extreme head-banging groove as an intro and main theme, but the 5 minute composition doesn’t feature much else of note. The beginning track Birth of a New Model is an excellent entity and the last track God Complex, takes the groove, turns the rhythm knobs, adds some sky-soaring clean synths. A really fucking excellent 8.5 minute tough as nails entity where even the few minutes of ambient in the midst are a support column.

The new model has a lot of promise but the main functions are still a tad bit buggy. Due to bugs the user experience is sometimes frustrating but in the end New Model does the job. There’s been a vast amount of innovations that have never been taken further after the semi-successful first model. One can only hope Perturbator keeps fine-tuning and developing the sound and the next version is the definitive 2.0 Perturbator.

8/10

Like Summer 2018 Music to Your Ears playlist + Music Quickies

Like usual in the summertime I have not looked out for that much new music but focused on… Just summer I guess. I dunno where it went. That doesn’t mean there hasn’t been new tracks on my playlist. Not all of the chosen music is summery, in fact most isn’t. Instead of idiotic hip summer music, the playlist has plain really fucking good tracks.

Metals of summer 2018

-6122529-1411671592-2798At The Gates published their new album To Drink From The Night Itself in 2018. It’s a pretty good effort with some memorable tracks (To Drink From The Night Itself, In Nameless Sleep, The Mirror Black) but most of all it made me retry their previous album At War With Reality (2014). Somehow I had skipped it altogether and it proved to be a mistake, it’s an extremely solid melodic death metal album that only loses a bit of punch by the end. And I don’t get excited about melodic death metal easily. Circular Ruins has a grandiose last half, great chorus, lovely guitar harmonies and fierce vocals (even the Crawling Chaos from H.P. Lovecraft gets a mention), what’s not to like.


Slugdge-Esoteric-Malacology-e1519751375282Slugdge – Spectral Burrows. Esoteric Malacology is probably my favourite album of 2018 so far. Cosmic progressive death metal with a gimmicky lyric theme, that does not reflect to the overall quality of the music. How the hell a band that sings about snails makes lyrics and music this good.

 



R-10663576-1501951371-9132.jpegMagoth – Requiem Deus (Anti Terrestrial Black Metal, 2017). So, there’s these rare songs that starts with a chorus. Really untypical but you find them sometimes. Requiem Deus is one of those but on top of that, the chorus is instrumental! That’s even rarer I guess! The basis is a strong as shit tremolo melody. I bet a lot of black metal bands could have composed this tremolo but how the track is arranged brings so much more power to it.


R-12160526-1529516094-5694.jpegCraft‘s 2018 album White Noise and Black Metal does not seem to be as strong as Void (2011), but Void was ridiculously good. Cosmic Sphere Falls is right there among the best tracks of Craft’s career. Summer and black metal baby.

 

 


102919-awakeningAsunojokei – Spring of Passion (Awakening, 2018). Combining black metal, post-hardcore and Japanese anime music melodies. How can it not fail? Asunojokei’s compositions sound so logical that on paper they sound much more weird than what they actually sound!

 


homeland

My Reflection – Homeland (single, 2018) Out of the blue My Reflection published the best song of their career. Extremely symphonic melodic metal with a graceful music video that was shot in a time span of one year to portray Finnish nature and the seasons. The track celebrates the 100th anniversary of Finland’s independence. Homeland should satisfy the fans of bands like Wintersun and Nightwish. The 2 minute intro already cuts the mustard and it warms my heart that the soaring female vocals are paired with strongly grunted, black metallish rasp and some good ol’ blast beating sections. I also just published a short article about the track: https://likemusictoyourears.com/2018/08/10/my-reflection-homeland-epic-symphonic-melodic-metal/


leprousLeprous – Stuck (Malina, 2017). Leprous gig in Tuska was among the best of the festival. The band looks like school boys and at best sounds like jazz musicians doing their impression of catchy progressive metal. The weird drumming style and lots of rhythmic hooks have drawn me quite in to their style. The last 1.5 minutes of rhythmics on Stuck are such a bliss.

 


doomedDoomed – Our Gifts (6 Anti-Odes to Life, 2018). Death/doom. Strong album that might lack a bit of high-points but the overall quality makes up for it. Especially The Doors and Our Gifts are high class atmospheric death-doom tracks. Strangely the tacit and slow instrumental Layers (Ode To Life) has been playing in my head after waking up, I guess it’s beautiful enough. As a satisfyingly logical detail, it is also the 7th track of the record!

 


Meshuggah_-_The_Violent_Sleep_of_Reason

Meshuggah – By The Ton (Violent Sleep of Reason, 2016). Another high point of Tuska 2018. The rhythmic majesty combined with the supreme light-show at times induced a catharsis. For example the title track of the record had a super satisfying effect of white lights going down on rhythm and speed with huge downward slides of one of the central riffs (first appearing at 0:34). By focusing on the lights they brought a completely new visual rhythm element to the show. By The Ton is still my favourite track of the record.


Electronics of summer 2018

a0487580087_10Slipdrive – Nova Byzantium a Thousand Spires of Light (River of Heaven OST, 2014). A complete random find from a soundtrack of a pen an paper roleplaying game I’ve never played and probably never will. The soundtrack is lovely sci-fi-game music-chillout-electro. Nova Byzantium and The Coming Renunciation seem to launch the listener straight into space.

 


42084Vector Lovers – Monologue (iPhonica, 2013). Music that sounds like you were on drugs. Sounds that seem to come from an other dimension in surprising relaxing symmetry. Such weird sensations and damn if I like it!

 

 


glanko orvotGlanko – Orvot (single, 2018). Glanko’s progressive sci-fi IDM or what the heck it is always activates my synapses. Chillout electronic track with really strong astral spacey vibes. Ideal for watching a spacestation move slowly with a small beam drive, multicoloured star rings and nebulas shining around it.

 


Finnish music of summer 2018 (sad list)

R-12137234-1529049213-7911.jpegPaperi T – Muutos (Kaikki on hyvin, 2018). My mainstream sin. The flow and sound of Paperi-T’s vocals and the cunning punning lyrics are a joy to listen. Even though his darker compositions and lyrics seem to be in the past, when Paperi-T is at his darkest that’s when I enjoy him the most. One of those lyricists that makes you want to google what the hell he is singing about but can also surprise with straight-forward lines and stories. New album is quite uneven but has a really good starting trinity.

Lauren Bousfield – Fire Songs – Music Quickies of sorts

a4189338573_10Nero’s Day At Disneyland’s breakcore/gamemusic mesh developed into more artistic and feminine, even electronic indie-pop flirting Lauren Bousfield. BUT the 2017 EP Fire Songs takes a step back towards Nero’s sprained breakcore instrumental music, the electronic indie-pop is largely gone. Is IDM (intelligent dance music) the correct term? What a douche genre name that is by the way. 19 minutes long Fire Songs EP seems like easily the best Lauren Bousfield release. It is a quick starter too, I was really digging it immediately on the first listen. There’s way too little love for EP’s in the world…

Little Half Dead Fire Exits Hi and Piles of Black Dresses… are A-fucking class melody spectaculars with heaviness on beats too. Little Half Dead Fire Exists Hi is almost a melancholic piece, remember the time you got badly burned and were forced to crowdfund your medical bill? Those were the days…

No One3 and CirlGocks (with Omiinindustries, collaboration?) are a step into more atmospheric electro. Girlcocks, i mean Cirlgocks, even does rave beats. The beginning of the album is a strange deja vu “I know this melody from somewhere on her releases, is it a remix?”. Creative continuity of sorts, I dig that. It’s kinda fresh to hear familiar parts in a new context after a long pause from Lauren Bousfield’s music. Here I am on the 4th listen of Fire Songs, 3rd in a row and the album developed into really fucking good. The glitching is gradually getting more pronounced on Lauren’s releases, there’s really a lot of that and it works wonderfully.

Personal crisis often makes musicians give the best out of themselves and it seems this fire certainly did that with Lauren Bousfield. Can we get more good musicians burnt up a bit? Anyone? Please? I’ll pay for the gas.

Best of all, Fire Songs is on Fire Sales! The release is pay what you want in bandcamp! Free download if you so wish:
https://laurenbousfieldanyev3r.bandcamp.com/album/fire-songs

Best music just now – Music quickies

Best music just now, Aether Realm (melodic death metal), Iglooghost (some crazy wonky electronic artist), Carpenter Brut (synthwave/retrowave), Radien (sludge metal) & Saimaa (Finnish progressive poprock for sportsmen).

Æther Realm – Tarot (2017)

a4166387068_10-500x500My face when I was listening to a random rather praised American metal band that turns out sounding a lot like a mixture of Wintersun, Insomnium, Ensiferum and Kalmah. And they do this Finnish melodeath thing supremely fucking well. Every other year I lose my hope on ever finding really good melodeath anymore, then I am proven wrong…

The Fool is probably their most original and best track, but by no means the only great track in the album. Full review of the album has also been released in Like Music To Your Ears.


Iglooghost – Neō Wax Bloom (2017)

669158533299_T35318255470054If you don’t like bright complex electronic music, you might still dig this crazy Irish guy. Must be a love it or hate it artist. As a very raw definition one could say Iglooghost combines IDM, trip-hop / wonky, breakcore, dubstep and bright and fucked up vocal sounds. It has also been called a maximalist album which fits really well as there’s a shit ton of stuff happening.

Once more I didn’t know music like this could exist and be so goddamn logical and mind-boggling at the same time.

I am almost ashmed on how much I dig Neo Wax Bloom, the album does not wear out with tens of listens. Bug Thief is the best electronic track of 2017, hands down. The background story is also worth a mention: “It’s a story about a void named “Mamu” and its destruction by two falling eyeballs. “… OK OK.


Radien – Maa (2016)

Radien-maaFinnish sludgepulverizing. Very hypnotic, mostly based on gigantic riffs, but Radien also flourishes in good spareful use of melodies. Even if you don’t speak Finnish, this is a supreme release. Also free to download from bandcamp!

 

 


Carpenter Brut – Leather Teeth (2018)

R-11608612-1519344046-6788.jpegI am not as taken aback with Leather Teeth, as I’d like to. I expected it to be a full time heavy as shit electronic retrowave joyblast like Trilogy but… It is good but the ridiculously strong melodic themes are not as apparent as on Trilogy. On some tracks like the title track everything sticks together like it should. Bringing in two great vocalists in Ulver’s Kristoffer Rygg and Beastmilk/Grave Pleasures Mat McNerney also helps the case.


Saimaa – Urheilu-Suomi (2018)

R-11561131-1518526844-2996.jpeg

Finnish progressive poprock with full-on sports theme. A lot of 70s/80s resembling instrumental material infused with nostalgic clips from the past, and spoken word sections that somehow remind of electronic occult band Tähtiportti. The totality sums as a really competitive album. It is really not just a classic rock album, but nearly a big-band album too. There’s an array of wind and bowed string instruments and synths. I don’t think a mixture like this has ever been made.

There’s a lot of humour like the over of the top hero story Kuningas (footballer Jari Litmanen). 99 % of the album is really far from normal depressive Aki Kaurismäki like Finnish music tones. Yet out of the blue Saimaa crafts a supremely touching track in Suo Porkka ja Suksi. It tells the tragic story of cross-country skier Mika Myllylä like a Kalevala poem. If you want just instrumental goodness, I recommend the crazy bass leads of Pikataipale.

Even the first part of the double album is too long (77 minutes), hence I made a better 41 minute version of it to a Spotify playlist under this paragraph. You are welcome Saimaa, next time maybe hire me ;)?


Bandcamps:

https://aether-realm.bandcamp.com/album/tarot-2
https://iglooghost.bandcamp.com/album/ne-wax-bloom
https://carpenterbrut.bandcamp.com/album/leather-teeth
https://radien.bandcamp.com/album/maa

Venetian Snares Modern Classical Breakcore collection

Venetian Snares is Canadian Breakcore artist Aaron Funk who has released quite a few albums. This collection is based on the best bits of his modern classical works. At 53 minutes I had to leave a couple of songs out but I feel shorter length serves this kind of orchestral electronic clattering better.

Unlike many albums this collection does not go all in in the beginning, but is meant to collect steam along the way and in my opinion the last 4 tracks Room 379, Integraation, Senki Dala and Miss Balaton conclude as one of the strongest endings in the history of electronic music. I am humble, I know; but in actuality the strongness of the two whole tracks Integraation and Miss Balaton is to blame. That is not to say the beginning is weak,  I love Frictional Nevada but its end chaos is a bit annoying.

What really brought Venetian Snares into my regular playing cycle is these tracks; the way he mixes complex electronic music with organic sounding classical orchestrations. Among his other albums Venetian Snares has released two full modern classical electronic breakcore albums Rossz Csillag Alatt Született (2005) and My Downfall (Original Soundtrack) (2007). This collection is based around those two albums which have many of his best works.

After these albums Aaron Funk incorporated modern classical as a more subtle part of his style, a track may not necessarily be a modern classical track or something else. One can only stand so much classical violin squeaking which is why bunch of tracks having other elements along with the classical have been included in this collection (from albums Hospitality (2006), Detrimentalist (2008), My-so-called-life (2010), My Love Is A Bulldozer (2014)).

I wanted to include Hajnal and Kétsarkú Mozgalom from Rossz Csillag Alatt Született too but for the sake of big picture, I had to turn them off.

Glanko – Telekommand EP // NMMREM XIX

Glanko, classified as IDM (short for intelligent dance music) did not gain my interest with the genre title. I very rarely enjoy dance music. With the track 9003 (/w mote) on my Facebook wall by Pollux I thought I need to give it a listen. Boy was I surprised; 9003 sounds like it is from a movie, assessing melancholic violins and orchestrations in a mellow ambient and rather organic atmosphere. A thrilling neoclassical track, but nothing like the rest of the album.

Purely electronics driven; first half of constantly glitching; wonderously mystical Maikurofomu CC walks a tightrope and slips off balance only to regain it with a somersault.

Second track Telekommand A has probably the best hook of the album, with the bass line at 2.50, peaking already at 2.55 to the sudden glitching bassdrop. Many times have I found myself humming this bassline, along with the bassdrop after listening this EP. It is a shame, in reality the best hook of the album, is never repeated. But the strong bassline stays there for quite a while and mildly changes form constantly. As if there is one thing that Glanko’s Telekommand lacks it is memorable melodies and hooks. Telekommand is a very enticing entity but it doesn’t have jaw-droppers except a few individual moments and the fourth track, 9003 (w/ Mote). When 9003 (w/ Mote) is pure 10/10 material the rest of the album fades into 8/10 territory.

It doesn’t mean it is not a strong very original entity with a high base level. The mystical atmosphere stays intact; melodies and mixtures of sounds I’ve never heard anywhere else. There are a lot of stuff happening beyond the surface. Kudos to the artist for not overpeaking the tracks and allowing an extreme volumedose!

9-/10

Free Download: http://archive.org/details/siro570Glanko-TelekommandEp