Released in 2004 the 30 minute LP The Bright And The Pure is the gem of Dies Natalis discography.
The Bright And The Pure is not essentially just a simple neofolk album, it has a lot of neoclassical and cinematic hues. The starting three headed beast Near Heaven / The Bright And The Pure / The Fortress is a joyous glimpse of a 70s psychedelic western film that never existed. This trinity is tight with atmosphere and lo-fi-massive and organic with mystic compositions. I can’t help thinking The Good, The Bad and The Ugly.
Three following tracks are sung neoclassical / neofolk that retain the cinematic mysticism. Really far from regular neofolk really. The atmosphere is unlike earlier or later in Dies Natalis discography. Occitanias Knights is the least impressive of these 3 tracks but the intro builds tension wonderfully with deep ambience and acoustic guitar. Later on the march drums keep the weirdly bumpy verse on the bright side.
Rich female vocals are an essential texture to the release. La Complainte Pour Esclarmonde De Foix a French art film track (!) highlights the vocals and woodwind instruments while gently overpeaking. Perhaps it is just my copy that does it, but I do love some gentle overpeaking!
My hate relationship with the 7th track The Upward Spiral turned to a friendship yet ultimately it is on a wrong release. Nihilistically symphatetic lyrics on a bright, major key composition are a nice paradox but thematically it does not really fit on The Bright and the Pure. It is like a disjointed Ben Stiller film scene in an art film.
The Upward Spiral is musically very close to other releases by Dies Natalis. Their earlier releases suffer from accented German vocals which aren’t that well sung either. A lot of great Neofolk is not that well sung though, so the dislike of German lyrics and accent may be my personal problem. Dies Natalis did correct that to their later album The Phoenix Contradiction (2008) but compositions are a lot more straightforward and acoustic guitar driven than on The Bright And The Pure. This may be a positive or a negative feat, depending on the listener and the mood!
The final track, another cinematic trinity, Near Heaven II / The Bright And The Beast / The Stake, shifts from ambient to finale after halfway mark and resembles the title track of the album. It grows in tension until suddenly ends. Actually it sounds like a duality, unlike the first track that has clearly three different sides. Be it a duality, trinity or a quadruplicity, the finale really weaves the release together.
The Bright And The Pure might be a bit difficult album to get into and even more difficult to find these days, yet it has continued to grow in our over 10 year old relationship. Very much recommended for seekers of strange neofolk and neoclassical who are not afraid of a dose of lo-fi.