Spotify playlist

Monumental metal 3 – Finnish Epics

This playlist comprises of epic Finnish metal tracks. It ranges from melodic death metal, to folk influenced metal, progressive rock, post-metal and black metal to industrial.

1. The New Beginning is one of the best tracks of Insomnium but was never released as a “real” full-length track. It’s been released in Where the last wave broke EP and as a bonus track of Across The Dark.

2. On Lonely Towers is the centerpiece of Barren Earth’s 2015 album and welcomes them back into form. Especially welcoming is the great vocal performance by the Faroe Island native Jón Aldará (also known from Hamfero). That is not to say the previous vocalist Mikko Kotamäki (Swallow The Sun) didn’t do a good job on previous albums, but after about 10 albums that I’ve heard him sing on, the more powerful voice of Aldara is a really welcome change.

3. An epic Finnish metal collection without Amorphis wouldn’t be perfect, which is why My Kantele, in my opinion the best track of their discography was chosen for this record. It is also suitable transition from Barren Earth who have their ex-keyboard player and have drawn a lot of influence from Amorphis, to Kingston Wall. Kingston Wall in turn is one of the biggest influencers of Amorphis.

4. You can read more about Kingston Wall from my previous blog post if you are interested further.

After a few greats, I decided to go underground with a lot less known bands (5.) The Chant and (6.) Crib45. Neither is yet classic material but have produced a few fine records, most notably the ones which best tracks are featured here.

7.  Jotunheim is as close to nature Moonsorrow has yet reached. I truly adore most of their longest tracks.

8. Iiwanajulma, with its Finnish lyrics produces a pessimistic, self-hating, melancholic but staggeringly real picture of the current Finnish mentality at its worse. The closing track 2014 album Hallelujah is one of the most fantastic lyrical pieces of Finnish metal really.

Suomi on maa jossa eksyneen lapsen silmissä loistaa 666 – se laskee maailmanloppuun ja kansansairaudessa on Suomen tulevaisuus

Suomi on maa jossa ahdistunut kansa nukuttaa lapsensa yhä tukenevassa jurrissa ja herää joka päivä pahenevassa darrassa

Suomi on maa jossa kiputiloissa tehdään töitä opiaateissa – meillä on historia ja se opettaa lukihäiriöistä kansaa maan tavasta

Kaikki samassa raamatussa, icd-10 -tautiluokittelussa, yhteiskunnan bipolaarisessa mielialahäiriössä

Kerro kerro kuvastin ken on on maassa ahkerin – muotihuumepäisissä duunipäivissä saisko olla sun kaltaisesi ronex, tenox vai venlaflaxin

Ritalinia saa äidinmaidosta ja kaikki on hyvin täällä meidän lintukodossa.

P.S. Not translatable by Google Translate

MonuMENTAL Metal oddities

MonuMENTAL Metal oddities collection is wrapped around bizarre bands BUT NOT humour music. Odd turns, eccentric elements, milestones of human vocal capacity and also some instrumental extremities. This collection ought to surprise and bewilder the listener, however its middle point is still great compositions.

1. The starting track, Dysrhythmia‘s probably most rhythmic and meaningful song, Room of Vertigo starts with a lot of groove. Dysrhythmia excels in making seemingly random mess that starts to make sense on further listens. Room of Vertigo is one of the easiest tracks to grasp as it has immediately catchy dreamlike melodies and a steady beat.

2., 3., 4. Next to follow are tracks from Pryapisme’s Futurologie epic, which is one track divided to 11 different movements. At best Pryapisme is masterful in combining everything possible in their soup and yeah, they are French. Obviously the last track of Futurolgie release is a 23 minute orchestrative version of the release. Figures.

5. Havoc Unit started as Festerday in the beginning of 90s, quite a regular grindcore/death metal hybrid. They switched their name to Cardinal in 92, to Peacefrog in 93, to Raw Energy in 93 and 95 they finally slid off to oddland by becoming …And Oceans, symphonic black metal electro hybrid.

Their second album The Symmetry of I / the Circle of O was a double release with a symphonic black metal album + a electronic/ambient/noise album. Which is really quite boring to be honest. Later on they incorporated more electronic and industrial elements and kept having extremely weird track titles in various languages. How about Äcid Sex and Marble Teeth (You-phoria), I Wish I Was Pregnant, Mikrobotik Fields / Uråldrig saga och sång or Angelina: Chthonian Earth: Her Face Forms Worms. The list goes on.

In 2005 …And Oceans became Havoc Unit and released a brilliant brutal death / industrial / experimental album h.IV+ (Hoarse Industrial Viremia) 2008, along with a few splits. Klan Korps [Volkssturm & Erregung] (feat. Strom EC.) is a piece from this album. The circle (of O) closed in 2013 when Havoc Unit became… you guessed it, Festerday!

6. After Havoc Unit there are a few milestones. First Demilich’s When the Sun Drank the Weight of Water. A finnish progressive death metal band which is musically magnificent and also has a distinctive feature. Their singer Antti Boman (un?)officially has the deepest growl in human history. His growl goes so deep that in the 90s when they were active Terrorizer hired an expert to state that the growl cannot have been made without pitch shifting. But apparently it is! Demilich is also known for weird track titles. Some of my favourites are. The Sixteenth Six-Tooth Son of Fourteen Four-Regional Dimensions (Still Unnamed) and Inherited Bowel Levitation – Reduced Without Any Effort.

7. Fleurety is exactly the opposite extremity in pitch. Their singer Alexander Nordgaren ruined his vocal chords by shrieking like a fucking eagle. It sounds really painful and it is incredible singing like that is even possible. Profanations Beneath the Bleeding Stars is also a surprisingly solid track, however their next release Min tid skal komme is the real jewel of their discography. One of many “lost” metal releases that many consider a classic but most people have never heard about.

8. Amesoeurs can be thought to belong to what some people not all unscornfully regard as hipster metal. Their only full length from 2009 is in my opinion not too great but it appealed to a lot of people. Sure enough it has some brilliant bits. La Reine Trayeuse sums it up well by starting as a weak pop track. In the middle of its length things turn so bewildering I’m not sure any other except French people could pull this off so magnificently. First the pop base turns to fast paced black metal then the female vocalist puts on quite a lot more a torturous shriek you’d ever expect this band to be capable of. And I mean its not just 3 seconds, it lasts about half a minute. The end of the track is also damn excellent.

9. Meads of Asphodel and 10. Sigh are rare breed who both formed to monsters of mixing different genres to their mostly metal basis on their own. Just listen how My Psychotic Sand Deity switches between hard hitting metal and dreamy interludes turning into angelic female singing to hard rock soloing to black metal. Or how Amnesia Blues’s away with growling vocals and the smoothest piano jazz solo in metal history.

11. More monumental vocal and instrumental extremities with You Suffer by Napalm Death. The shortest track ever recorded and also one of the fastest lyrical outputs ever. “You suffer, but why?”. All this in exactly 1.316 seconds.

12. Behold… The Arctopus annoys me quite a bit when listened in large quantities but they work well served in careful small doses. Like the short bursting Putrefucktion. They are one of the most extreme bands in terms of the amount of different sections every track contains. Putrefucktion is more just a mindfuck, a very entertaining and peculiar mindfuck.

13., 14., 15. Meshuggah the old odd groovemonster that somehow influenced one generation of teens to create an own popular genre, Djent. The album Catch-33 is clearly my favourite bit of Meshuggah discography with its lovely rhythmic background. It is nearly a one track album as it flows from one track to another so smoothly. Just when you think you get the rhythm, it changes to something else! The last four tracks are all diamond, but in this collection I left out the last one, ending it with Shed, Persona Non Gratae and Dehumanization.

I am getting an unsubstantial amount of satisfaction about the unpredictability of these tracks, especially the end of Dehumanization. I tried to further help the listening mood by placing the tracks in rather eccentric order. The plan was to fuck with ones brain, but also to deliver logical transformations too. This was probably the funniest compilation to do and I think it transfers well to listening experience.

MonuMental Metal Collection II

Another collection focusing on epic metal masterpieces. This collection goes from symphonic death metal (Septicflesh) to progressive thrash (Vektor) to black metal roots leading into different directions (Tribulation, A Forest of Stars, Oranssi Pazuzu) and melodic metal (Atoma, Enshine).

Septicflesh’s Mad Architect is a brilliant unison of death metal and majestic, mentally symphonic orchestration with a chorus to die for. Truly an original kind of a death metal track fit such a fitting title.

Accelerating Universe is the finest piece of the world’s finest thrash metal band Vektor‘s first album. My statement may seem preposterous but Vektor. Is. The. Shit. I don’t say stuff like this lightly. Metal simply does not get much better. This is how you make modern thrash metal. Both of their albums are absolutely killer and 3rd one is coming up in May. My most anticipated release of 2016.

Apparitions is a true grower-type of a track. The ending track of Tribulations The Formulas of Death from 2013. Tribulation is yet another original band combining both black and death metal with progressive compositions. I admit it, I’m a sucker for original bands that compose brilliant music.

Drawing Down the Rain is the masterwork of A Forest of Stars. They embarked from black metal background but nowadays add psychedelia, melancholia and progressive elements with otherwordly lyrics. I wasn’t supposed to use the same band twice in collections this soon but Beware the Sword You Cannot See was one of the very best releases of 2015.

Hole in the Sky by Atoma somehow manages to be even more epicly tuned and majestic than its predecessors while being less metal.

Ympyrä on Viiva Tomussa, like Apparitions took me a while to grow. A brilliant way to sum up Oranssi Pazuzu is their first promo letter where they stated that (roughly translated from Finnish): “Oranssi Pazuzu makes churchburners and bluntburners hold each others hands”. They combine psychedelic elements with black metal; Ympyrä on Viiva Tomussa nears a shamanistic ritual.

It was supposed to be the closing track as it leaves me utterly empty, but I realized that the beautiful melodics of Constellation by Enshine actually light up the feelings instantly. After Slumber broke up in 2011, the members formed Atoma. However Jari Lindholm left and formed Enshine. It’s only natural to have them on same collection.

Did I say Epic Metal Collection I was my favourite. I feel that this one is even stronger, 100 % killer tracks.

f922429ebfaf9bebaa664c8149d10261You can also find all playlists from playlists.net:
http://playlists.net/epic-metal-collection-ii