Month: May 2012

Shuji Morimoto – Mies Kaukaisuudesta

Melancholic folk pop with sympathetic oddness

A Finnish-Japanese (?) bluesy folk rock coalition who released their first self-titled release as a cassette and free download on their bandcamp-site in the beginning of January. Shuji Morimoto is one of the many projects of Päijänne Suurjärvi, others of note being Päijänteen suopalloilijat and Guggenheim-projektz. All three share the same spirit of absudism yet have a clear own facet.

Mies Kaukaisuudesta is something of a mixture of EP and full-length album, consisting of 6 tracks clocking some 25 minutes. The overall atmosphere is very Finnish, but there is an odd heart of far-away-places and absurdism beating under the surface. The compositions are very airy and vocals mostly clear folk rock-vocals, but at times wander to stranger surfaces.

The vocals avoid the biggest pitfalls successfully even if sometimes they dance on the edge of that wire. Not being that balanced and expecte
d, the vocals and lyrics add a lot freshness and could even say danger to the music. Lyrics are particularly nicely crafted, awaking images of a land far beyond but sometimes they do turn naive. Even if the main image is such a cliche as japan, the lyrics avoid the manganisms and animenisms simply putting in an image of a distant and mystical land.

In this type of music the vocals and lyrics are particularly important but the compositions are surprisingly catchy and thought evoking as well. “Mies kaukaisuudesta” with a superbly catchy chorus and “Nousevan Auringon Maa” both have a lot of groove and swing under a relatively simple surface. After multiple listens it becomes clear that the record indeed has a lot of class under a simple surface. Distorted guitars, synthesizers, clean electric guitars and acoustic guitars take their turns and just when the track asks for it, they provide classy lead-sections bringing the whole matter to the next level.

The next three tracks: “Planeetta Punainen”, “I don’t know anything about Japan” and “Radiation is not good for your health” slow down the tempo and atmosphere from near-ballad to clear ballad. Surprisingly, in the midst the language also changes from Finnish to English and Shuji Morimoto does it effortlessly keeping the atmosphere intact. And how about saving the best melody for last? Gojira’s stylish jam of a steady melodic beat and guitar leads closes up the album.

Is it really a Japanese-Finnish folk rock coalition? Or is it just one man and a made up figure, which even has a facebook page? Here I am suspecting a persons existence but guess what, I do not want to know. Not just yet. This type of mystery is bound to make a project seem somehow more secret and mystic adding its value. In short, I cannot get enough of Shuji Morimoto and Mies Kaukaisuudesta has been spinning regularly on my evening-chilling playlist for multiple months. Extremely recommended.

Download the release for free from their Bandcamp site:

http://shujimorimoto.bandcamp.com/album/mies-kaukaisuudesta

John 3:16 – Sinner’s Prayer // NMMREM VIII

Narrow-minded Metalhead reviews experimental music – VIII

[Siro247] John 3:16 – Sinner’s Prayer

Hu Creix vs John 3:16 – Ambient Double Header

Introduction

I am starting to believe that the hardest music to make successfully is ambient. Just think about it, music that is minimalistic and repetetive, and you have to craft it to be interesting.

In this double header I am taking a look on two Ambient releases. In this review: John 3:16 – Sinner’s Prayer and in the first part Hu Creix – The Present Forward. Both artists quite succeed in this trade, both with a fine release, but in the end fall in the same loophole. What is it? LENGTH.

John 3:16 – Sinner’s Prayer

The release is best described as Psychedelic gospel ambient and hell, is this quite a mixture! Very original sound with surprising heaviness, chilly yet chilling soundwaves and odd vocal samples.

John 3:16 release is only 22 minute long, but has the same problem as Hu Creix’s The Present Forward – in a minor scale. The first track, Eternal Sin Offering, lasts 16 minutes and is a bliss for the first 7 or so minutes, but for the last 8-9 minutes it closes in and for the listener, becomes more minimalistic. At the same time the track has a long  speech sample going on, but it is only vaguely hearable and thus doesn’t really grow to its full potential; lacking a clear message or something to grasp in the speech. It is everything but bad. But it just doesn’t have the same effect than wave-like transforming first half. Again, this track could really have been split up into two parts…

Did anyone mention Twin Peaks? Fortunately, the second track has an awestrucking Lynch-esque start. Nearly dropped me out of my chair. It is a remix and I don’t know how much it borrows from the original Fluid song, but the melody is something i would love to hear in a great movie.

Conclusion

Both artists definitely know how to spice up slowly transforming songs by adding new interesting sounds. But when it comes to full songs, they only have a couple songs that are spot on and without a significant weak spot. Albums that have a lot of merit but in the end work best cropped.

Overall score: 8-/10

The album is free to download at: http://archive.org/details/siro247John316-SinnersPrayer